Facebook Advertising Primer.
- Forest landowners guide to the federal income tax (Agriculture handbook).
- Conquering the Game of Life: A guide to competing and winning.
- The Moon.
- Wiley Publications Macromedia Flash MX for Dummies by Gurdy Leete and Ellen Finkelstein;
- Adobe Animate.
Google Adwords Primer. TV Appearances. Generally things went ok -- though I had the surprise of a studio tech forgetting to plug in a DVD player during set changeovers, resulting in a faux pas in front of a live international audience -- har har. But the host Leo La Porte was a smooth operator, and it worked out ok. Books Some of the books I've written, and mention of TV appearances. Came up with concept for book, co-wrote with Janet Galore, who did some pioneering work in using Flash for television and film. Came up with concept for book, worked with colleague Chad Fahs to write.
Used by Columbia College. Flash 8. And like Dreamweaver 8.
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Flash MX: Clarifying the Concept – A List Apart
Sep Review Sections Review. View full gallery. Continue to next page 01 Hot Products. You're looking at one of the best Android phones of Gigantic-screen phone for a gigantic price. There's a good chance that some colors you are using in your Flash movie fall outside the television value range, resulting in very noticeable color bleeding.
Open the Color Mixer tab in the Color panel and select pure white in the fill color swatch. Now select black in the color swatch and watch the RGB values update to show see Figure 5. This represents the full color range of the RGB color value that is legal for computers to display. For television, however, you must limit this range to between 16 and colors. This means that the color value of black should be and the color value of white should be see Figure 6. The color red is one of the more usual suspects because it has a tendency to bleed more than any other color.
To mix a television-safe value for red, open the Color Mixer tab in the Color panel and select the brightest red by clicking the fill color swatch and selecting the red color swatch on the far left side see Figure 7. Notice how the RGB color values are , which is far from the legal color gamut that television can display.
Edit this color value by highlighting the R value of and entering Highlight the G value and enter 16 and do the same for the B value. Use the Type pop-up menu to add this swatch to your palette see Figure 8. If you apply this simple formula each time you mix colors in Flash, you will remain well inside the television color value range. The blue used for the pupils of my boy character, for example, are considered safe because they have an RGB value of see Figure 9.
Graphic symbols are treated as part of the Timeline because, technically, they are in sync with it. So if you have nested animations, make sure to use the Graphic symbol type for all your symbols. There is more than one way to create a symbol. You will be presented with the Convert to Symbol dialog box see Figure 10 , where you can type in a symbol name, select its type, and determine its registration point. Avoid movie clips. Avoid movie clips! I can't emphasize enough the importance of avoiding the use of movie clip symbols containing content beyond the first frame.
The movie clip in the exported movie will appear as a static image only.
Flash MX Design for TV and Video Flash Wiley
Did I say to avoid movie clips? If any of your movie clips contain an animation, you must convert it to the Graphic symbol behavior. Movie clips are independent from the main Timeline and are not synchronized with other timelines. Graphic symbols play in sync with the main Timeline and other graphic symbols.
They also render to video format, while movie clips do not. Next, change the behavior of the instance from Single Frame to either Loop or Play Once, depending on your needs see Figure Make sure there are enough frames on the main Timeline to accommodate the graphic symbol's length. You will now be able to drag the playhead back and forth or press Enter to see your nested animation play.
- Moving Pictures - Flash Video;
- Flash MX design for TV and video.
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In general, when you author content for video, avoid dynamic content completely. Flash documents that include ActionScript, buttons, and dynamically loaded content will fail during export. Even a simple stop ; action causes the export to fail. But if you do have dynamic content, read the later section on SWF2Video. Exporting to Video Your movie is now ready for exporting. You have the right aspect ratio, frame rate, and colors, and everything is on the main Timeline or set as Graphic symbols.
You're good to go. You have more than one option when you export your video, and there are slight differences depending on whether you are authoring in Mac OS or Windows. Formerly your choice of platform dictated your format. Now both formats are compatible across platforms. Typically it is a good practice to keep your movie as uncompressed as possible and at the highest color bit available. Layer: Select where in the stacking order the Flash movie resides, as follows:.
Working with Compressed Audio In a situation where your sound file is relatively long, say five minutes or more, it may be best to convert it to a compressed format that Flash can import, such as MP3.enter
Flash MX Design for TV and Video
Once you convert your audio file to a compressed format, the file size will be much easier to work with. Importing a compressed version of the sound into Flash also helps keep the movie file size manageable. Just make sure to retain a backup copy of the original high-quality sound file so you can reimport it into your Flash file for final export later. Speaking of length, the actual running time of a half-hour television program is approximately 22 minutes. But working with a minute Timeline in Flash is potentially problematic.
At 30 frames per second, a minute animation ends up being 39, frames long. Because Flash is not really capable of handling timelines of this length, instability can become a factor. To avoid crashing and the potential of a corrupt file, break up the audio into smaller chunks and import them into several different Flash files that you can later stitch together in your video editing program. I recommend that you work in smaller durations, somewhere between 30 and 60 seconds long.
There are a number of useful audio editing tools available to edit your sound files. They run only in Windows. Adobe Audition is another choice for Windows users. For Mac users, there's Soundtrack Pro from Apple. If you are on a budget, try Audacity, a very capable and open-source free audio editing tool available for Mac OS, Windows, and Linux. When your animation is complete and you are ready to export it to video, delete the compressed sound files from the Flash movie. Export only the animation to your chosen video format and then import this video file, along with the original high-quality sound files, into your video editing program of choice, such as Adobe Premiere or Apple Final Cut Pro.
This method not only keeps your FLA sizes to a minimum but also provides some editing flexibility because both sound and animation are maintained on separate tracks for further editing. Synchronizing Animation with Sound To sync your animation with the imported audio in Flash, you must embed the audio in the main Timeline. Once it's imported, create a new layer on your main Timeline, select the first keyframe in this new layer, and locate the sound file in the Property inspector from the Sound pop-up menu.
By default, the sound behavior is set to Event. An Event sound plays in its entirety, independent of the Timeline, and does not ensure proper synchronization with the animation. You can change the behavior from Event to Stream by selecting the Sync pop-up menu in the Property inspector.