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Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4. Leave feedback about this page. To which is prefixed a dissertation on the Irish harp and harpers, including an account of the old melodies of Ireland. Dublin : Hodges and Smith, Added engraved title page. Music: 4 p.

I was then offered a reduction in my next stay. After this phone call I sent an email to the owner explaining my dissatisfaction and advising I would not be staying again. I was very disappointed with this given the amount of business my family had given him for the week and the extremely difficult situation we were in. Keys cannot be picked up after 11 pm.

Breakfast during the week consists of eggs and toast. Rooms are extremely basic and uncomfortable. Free wifi advertised does not work in any room. Shower are cold and there is no option for food in the hotel. Extremely bad service I would definitely not recommend. Also I did not receive a reply to my email. I will never stay here again or recommend anyone else to do so.

I have never encountered such a rude man in all my hotel stays. He needs to move to another industry away from hospitality.

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No manner at all and downright ignorant to me. No breakfast available early. The hotel offered good rates for a three-star-property, so we booked it for two nights. Kilkenny is only about one hour drive from Dublin.

Continental breakfast is simple, but included in rates, so we enjoyed a couple of toasts, fresh fruits and freshly made eggs. The hotel bar is nice, they have free wifi and the parking is free too. No one was at the front desk when we arrived, but someone came quickly when I called the number on the counter.

The room was clean and the bed was comfortable. The breakfast buffet was an additional 10euro. There was nothing special about this hotel. I probably wouldn't stay there again, but if you are on a budget it isn't a terrible deal. Booked the hotel and was unable to go due to a car crash they didnt answer the phone for the 2 days so we were unable to actually cancle it and when we finally got through to the hotel the manager was an absolute pig about it even though it was their fault we couldnt cancle it and they still charged us the full price for the room.


He handled the situation terribly and I will never book there ever again. This site uses cookies to improve your experience, to enhance site security and to show you personalised advertising. Click here to learn more or control your settings. By clicking on or navigating the site, you agree to our use of cookies. Flights Holiday Rentals Restaurants Things to do. Tip: All of your saved places can be found here in My Trips. Log in to get trip updates and message other travellers. Profile Join. Log in Join. One man band playing out of tune.

Kilkenny House Hotel. Lowest prices for your stay. Guests 1 room , 2 adults , 0 children Guests 1 2. Show Prices. Like saving money? We search up to sites for the lowest prices.

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Review of Kilkenny House Hotel. While on Spike Island he met up with the famous Waterford piper Liam Walsh and with many other musicians particularly from counties Clare and Kerry. C ailroe is situated two miles on the Castletown side of Ardgroom, halfway between Ardgroom and Eyeries and only about four miles from the Kerry border. No prizes for guessing that he was a sergeant in the Garda Siochana. It was not unknown for Kerry musicians to come to the area and be put up in local houses and no doubt they exchanged a few tunes.

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John, now living in New Ross, remembers his mother talk of one such visitor, a travelling piper called Hanley who used to visit the area when she was very young. T he flute player, piper, and collector Canon James Goodman came to the area as Rector in At that time the area was still Irish speaking and as he was a native speaker, having been born and reared in Ventry Co Kerry, he surely left his influence. Around the time of his arrival he was in the later stages of completing his great collection of over traditional melodies. T he tradition was therefore very much alive in the area. It is not surprising that when John Dwyer Snr married it was to another musician, an accordion player and singer Kathleen Mc Carthy from nearby Killcatherine, whose people first came to the area from Skibbereen.

I t was into this background that Michael Dwyer was born in He was placed almost mid-way in a family of nine, five boys and four girls. One girl Eileen died at the age of three. All the family inherited the music and the singing and many are multi-instrumentalists. The interest in composing would once again spring up in his own family and come to fruition in the many fine melodies composed by the family. A s the family grew up in the forties and early fifties the house dances began to wane in popularity and the interest in traditional music was at an all time low.

John remembers being so enthralled by the music he heard that he wanted to share his experience with someone but alas…. Four years later at a Cork-Kerry football match in Macroom he saw the same man playing but could not find out who he was.

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A visit to the All-Ireland Fleadh in the early fifties was next to impossible from a place as far distant as the Beara Peninsula. However they were steeped in the tradition and were addicted to the music. The encouragement of their parents, who had kept the oral tradition alive, and their own insatiable desire to learn more about a music they loved, kept them going through these years. It is not surprising that we find up to half a dozen multi-instrumentalists in the Dwyer family. It was in this musical environment Michael Dwyer learned to play and his natural talent for the tin whistle was obvious from the outset.

T he Dwyer family were nothing if not creative in their approach to music. John tells a delightful story of how they first got involved in composing tunes. Their father as well as being a farmer was a tradesman and house-builder and on one occasion he travelled to Athea in West Limerick to build a house. Proudly, he returned with the book together with some of the rudiments of the ABC notation which he also learned while there.

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T he younger John began to delve into the book, and with more determination than guidance, gradually worked out the meaning of the staff notation. He was then able to learn tunes from the book and felt the quality was not great in some of them and that it might be worth while trying to compose a few himself He did so and was pleased with his first efforts but very soon he left home to join the Garda Siochana.

O n his trips home he would encourage the others to have a go and compose a few tunes themselves, and would ask that they have a couple of new tunes composed the next time he would be home. He would bring a few new tunes back with him and so were fostered the creative talents that would result in such a great legacy.

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His youth in Ardgroom was spent absorbing the music of his parents and the local area but now he found himself in the centre of one of the biggest melting pots of Irish traditional music ever. For Michael, coming as he did from a family gifted in both musicianship and creativity, it must have seemed like an oasis.

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Curtis "amounted to a mini Fleadh". Con who now lives in Brosna Co Kerry, says that Michael often played with Donegal fiddler Danny Meehan and was a very good friend of musician and music teacher, Brendan Mulkere. M ichael won his first All-Britain senior tin whistle title in the Anson Hall Cricklewood and went on to win several titles after that. In he won the All-Ireland title in Thurles at the age of twenty three. Gerard Harrington now back in Castletown after spending forty four years in London, twenty two of which he spent as chairman of the South London branch of Comhaltas, tells of how he first met Michael.

One afternoon in the early sixties after arriving at the Aston Hall in Cricklewood to take some photographs of a Fleadh, he met with Beara man, Donie Mullins. They were to be the closest of friends in London after that day with Gerard coming to the rescue on many occasions.